This week I’ve been thinking a lot about my own home photographic practice and a practice I had recently come across at London’s Stitch Festival, Slow Stitching. I had never heard of it so squeezed myself into the stall to have a look.
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There is so much literature and research on memory and photography that it is hard to know where to start. Therefore, I wanted to begin and open this conversation by sharing a photograph from my past. The following memory is one I believe only I will remember and concerns an image I no longer have.
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Who would have thought my favourite photo exhibition in Stockholm would turn out to be an exhibition about the architect Gunnar Asplund?
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…My brain has been full of questions interrogating my own feelings concerning my creative work and practice. My one plan for October was simply to ‘reflect’ but each question I asked myself produced more. Sentences, phrases, words and letters became so overwhelming that they melted from their structures into a dense fog which I could no longer see through.
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